Sophie Moreaux
PROFILE
Degree in art history and in conservation-restoration of fine art. Professional experience in the field of conservation of works of art, and collection management. Teaching experience in an institution, training conservators and restorers of traditional and contemporary art. Member of the International Network for the Conservation of Contemporary Art, (INCCA), http://www.incca.org
EXPERIENCE
From 1991
Conservation and restoration of works of art from public and private collections.www.sophiemoreaux.com
From 1998
Professor for conservation and restoration of fine art at the Ecole Supérieure des Arts Saint-Luc de Liège.
Since its inception in 2007, a member of the editorial board of CeROArt, an interactive magazine and platform devoted to a multidisciplinary approach to questions of Conservation, exhibition and Restoration of works of Art, http://ceroart.revues.org/
2008-2010
Inventory of the state of conservation of works of art of the 1% artistique present in high schools, in order to define a policy for conservation and restoration of these works for the Regional Council of Rhône- Alps and the Centre Inter-régional de Conservation et de Restauration du Patrimoine (CICRP), http://www.cicrp.fr
Eleni Markopoulou
PROFILE
Master of Arts in the Conservation and Restoration of fine art. Professional experience in the field of conservation of easel paintings, mural paintings, icons, artworks and historical artefacts on paper, as well as collection management.
EXPERIENCE
Conservation and restoration of works of art from public and private collections since 2003.
Cofounder of the conservation studio artbee: http://www.artbeeconservation.com
SYMPOSIUMS AND PUBLICATIONS
2008
Publication in CeROArt conservation, exposition, restauration, d’objets d’art, nº 2 | 2008, revue électronique,
URL : http://ceroart.revues.org/index560.html. Title of the publication: La restauration d’une œuvre monumentale de Lucien Simon.
Speaker at the symposium Conservation et patrimoine organized by the association Musées et société en Wallonie in Namur, Belgium. Title of the contribution: La conservation préventive des peintures à l’huile sur toile.
Nico Broers
PROFILE
Master of Arts in the Conservation and Restoration of fine art. Professional experience in the field of conservation of works of art, collection management, technical examination and analysing of works of art and environmental control. Teaching experience in an institution training conservators and restorers of traditional and contemporary art.
EXPERIENCE
Conservation and restoration of works of art from public and private collections since 2003.
Cofounder of the conservation studio artbee: http://www.artbeeconservation.com
Since 2003
Lecturer in conservation and restoration of fine art at the Ecole Supérieure des Arts Saint-Luc de Liège.
Since its inception in 2007, a member of the editorial board of CeROArt, an interactive magazine and platform devoted to a multidisciplinary approach to questions of Conservation, exhibition, Restoration of works of Art, http://ceroart.revues.org/
2008-2010
Inventory of the state of conservation of works of art of the 1% artistique present in high schools in order to define a policy for conservation and restoration of these works for the Regional Council of Rhône- Alps and the Centre Inter-régional de Conservation et de Restauration du Patrimoine (CICRP), http://www.cicrp.fr
SYMPOSIUMS AND PUBLICATIONS
2008
Publication in CeROArt conservation, exposition, restauration, d’objets d’art, nº 2 | 2008, revue électronique,
URL : http://ceroart.revues.org/index560.html. Title of the publication: La restauration d’une œuvre monumentale de Lucien Simon.
Speaker at the symposium Conservation et patrimoine organized by the association Musées et société en Wallonie in Namur, Belgium. Title of the contribution: La conservation préventive des peintures à l’huile sur toile.
2010
Speaker at the International School Hubert Curien: Structural and Molecular Archaeology, 3RD Course, Non-Invasive Analysis of Painting Materials, Erice-Sicily: 14-21 June 2010.
Title of the cotnribution : Painting Restorers and Conservators: Past, Present and Future.
